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The Feeling Sonnets by Eugene Ostashevsky women or on the cusp of

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or on the cusp of epiphany

and is accompanied by a commentary about the language

Read him while he is still contemporary' – Fiona Sampson

the responsibility of those who witness - whether voyeur

of which Vakalo later repudiated all but this single long poem

The Feeling Sonnets by Eugene Ostashevsky women or on the cusp ofThe Feeling Sonnets are written in an English that is translingual not only because it engages other languages but also because it reflects upon itself in uncertainty as if it were the work of a language learner. Words, idioms, sentences, poetic conventions are made strange, dislocated, recontextualised to convey some of the linguistic effects of the migration experience, the experience of non nativeness. The book includes four cycles of fourteen

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